For the past year or so, I have been gathering data on longswords. These come from a wide range of different source, from the dark nooks of the foreboding internet to dusty tomes found in libraries. The quest has yielded … Continue reading
Tag Archives: Longsword
For the last year or so I have been working on a group of primarily longsword exercises based on studying fechtmeister Joachim Meyer‘s holistic system for training and fighting, focusing on the dussack, longsword and staff in combination with some additional mostly untutored … Continue reading
The swordsmiths around the world have seen some pretty fierce competition developing over the last few years, especially the high-end companies like Albion, who suddenly find themselves being outrun by swordsmiths who directly target the needs of us HEMA-fencers, which … Continue reading
Just another damn good video clip from Bratislavsky sermiarsky spolok.
This article is written to accompany the recent article about the mysticist, and possibly even fencer and a Freyfechter, Heinrich Agrippa. If you haven’t read the article, it is suggested you do so, before reading this article. Die Rose (the Rose) is a longsword, … Continue reading
Swordsmith: Arms & Armor Arms & Armor have been making swords for practice and sparring since the late 80’s which makes them a very old player in the HEMA field indeed. According to themselves, they felt that they originally had a … Continue reading
Here’s an old but still always relevant question for us HEMA practitioners to ask ourselves: When we read the old fencing treatises, should we only practice what we are told to do in the treatises or should we try to … Continue reading
Image from Joachim Meyer’s treatise of 1560 To understand the body mechanics involved in a technique we not only have to train our bodies so we are strong and agile enough, we also need to use tools that work together … Continue reading
Just some brief reflections on images from Chronicon Helvetiae by Christoph Silberysen, dated to 1576, currently kept in the Aargauer Kantonsbibliothek in Aarau, Switzerland.
Herzog August Bibliothek has kindly provided the GHFS with scans of Theodori Verolini’s Meyer and Petter-inspired manual of 1679 and allowed Hroarr to distribute these files as well.
What kind of steel longsword should one choose for sparring? There are of course many aspects to consider. However, many instinctively discount the so called fechtschwert, since they look too weak and commonly are associated with sports fencing in late … Continue reading
Well there is a right Vom Tag, and a middle one… so there has to be a left Vom Tag as well, hasn’t there? We make all master cuts cut from both sides, so it is simple logic, right?
No, it’s not the hottest, new move on the dance floor. It’s just the old High Guard as it is taught by Master Liechtenauer and his disciples, may God rest their souls. But how should it be done, really?
A simple reply would be long enough to reach your opponent. Stupid answer, I know… But the question is also stupid… sort of. Let me explain. Real longswords from the Middle Ages and the Renaissance can range from about 110cm … Continue reading
Thoughts: The Regent belongs to a category of longswords that can be presumed to have its origin in the mid 15th century Germany. The pommel is a development of the fishtail type, the blade is hollow ground and thus has … Continue reading
Thoughts: Lutel 15019 is a typical sword created for modern training or steel sword sparring. The blade is simple and the edge is designed to take a beating
Time for part 3 in the Onion Article Series, this time taking a closer look at the parts of the weapon and how it relates to handling of distance and tactics. Simply put there are two ways of approaching the issue of controlling the opponent; either physically or mentally. But[...]
Nicoletto Giganti is one of the most celebrated Italian fencing masters of the 17th century. His widely-acclaimed treatise of 1606 promised a second work, which however was long considered lost or never to have been written. Nonetheless in 1847 Alberto Marchionni did describe a purported second book by Giganti, outlining its[...]
With no little shame, and for lack of time, I would today just very briefly like to suggest a toast for one of the more colourful, and bad-ass looking HEMA pioneers of the British Empire, Captain Sir Richard Burton, explorer, translator, soldier, fencer, orientalist, ethnologist, spy, diplomat, poet and rebel "sexologist",[...]
Continuing with part 2 in the Onion series of articles we will now focus on the topic of controlling the fight, or lack thereof and regaining it. In German terms these concepts are called Vor, Nach and Nachreissen. These concepts are hugely important, but at the same time very hard for[...]
Neither a real weapon, nor a simple cloth: the cape in Italian martial arts. The cape is an item of clothing, subject to the rules of fashion and climate, and cannot be described appropriately by measures and rules, therefore it may have various shapes, lengths and widths, it may have a[...]
For the last year or so I have been working on a group of primarily longsword exercises based on studying fechtmeister Joachim Meyer's holistic system for training and fighting, focusing on the dussack, longsword and staff in combination with some additional mostly untutored practice of Portuguese Jogo do Pau. Some of the core[...]
Another excellent lecture by Jean Chandler, held at the IGX in Boston, USA 2013.[...]
French fencing guilds of Paris, Lille, and Amiens in the 16th and 17th century Translated by Pierre Pichon Edited by Jean Chandler, SDA NOLA, New Orleans & Roger Norling, GHFS/MFFG Finally we have here English translations of French fencing guild documents from the 16th and 17th centuries. These documents contain a wealth of[...]